Field Notes
When an Art School Is Still Thinking
As California College of the Arts prepares to close as an independent institution, its final years reveal a widening gap between cultural vitality and institutional survivability.
Coverage of recent developments, announcements, and institutional activity shaping the contemporary art landscape.
Field Notes
As California College of the Arts prepares to close as an independent institution, its final years reveal a widening gap between cultural vitality and institutional survivability.
Industry Mapping
How historic houses regulate access, allocate attention, and redistribute authority—reframing the rise of home-based exhibitions not as an alternative to institutional power, but as its reconfiguration.
Field Notes
After overseeing the New Museum’s transformation and expansion, Lisa Phillips will retire in April 2026, following the institution’s public reopening.
Field Notes
The New Museum will reopen in March 2026 with an OMA-designed expansion that doubles its footprint and reshapes its Bowery campus.
Field Notes
At its twentieth edition, Art Dubai shifts from expansion to orchestration. Rather than staging novelty, the fair coordinates modernism, emergence, and digital practice as a temporal system—testing whether time itself can function as cultural infrastructure.
Art & Tech
As generative systems turn narrative coherence into a cheap resource, the art market confronts a deeper problem: documentation can no longer bear the evidentiary weight it was never designed to carry.
Latest Art News
White as the Color of 2026 reflects how restraint, neutrality, and control increasingly shape contemporary art and its institutions.
Law & Politics
After a turbulent year marked by staffing unrest, infrastructure stress and debate over a major renovation plan, the Louvre is navigating intensifying pressure over how it balances long-term ambition with day-to-day operations.
Art Market Watch
The art market has reorganized around exposure avoidance—reshaping liquidity, framing, pacing, and decision-making without altering surface stability.
Field Notes
Helene Schjerfbeck’s first major U.S. exhibition at The Met is less a rediscovery than a recalibration—revealing how restraint, persistence, and silence have long been misread in modern art’s dominant narratives.
Field Notes
The 12th edition of ESTE ARTE formalizes a counter-tempo fair format—solo presentations, first-time works, and distributed context—examining whether intimacy can function as repeatable market infrastructure rather than ethos.
Field Notes
London Art Fair 2026 positions itself less as a discovery engine than as a stabilizing mechanism—synchronizing legacy confidence, institutional authority, and controlled novelty at the start of a year marked by mid-market contraction and calendar congestion in London’s art ecosystem.