After Automation: Toward a Shared Language for Digital Art Governance
A framework proposing shared language for understanding responsibility, authorship, and governance in digital art systems shaped by automation.
A framework proposing shared language for understanding responsibility, authorship, and governance in digital art systems shaped by automation.
The New Museum will reopen in March 2026 with an OMA-designed expansion that doubles its footprint and reshapes its Bowery campus.
An examination of creative pedagogy as a psychological system, tracing how ideals of iteration, critique, and “learning to see” presuppose specific temperamental capacities while quietly shaping who persists within art education.
A critical examination of how personality stability challenges the art world’s belief in endless formation, adaptability, and transformation—and how development narratives quietly function as mechanisms of selection.
At its twentieth edition, Art Dubai shifts from expansion to orchestration. Rather than staging novelty, the fair coordinates modernism, emergence, and digital practice as a temporal system—testing whether time itself can function as cultural infrastructure.
As generative systems turn narrative coherence into a cheap resource, the art market confronts a deeper problem: documentation can no longer bear the evidentiary weight it was never designed to carry.
White as the Color of 2026 reflects how restraint, neutrality, and control increasingly shape contemporary art and its institutions.
How cultural institutions absorb, defer, or operationalize responsibility after automation and authorship are named as governance issues in digital art systems.
After a turbulent year marked by staffing unrest, infrastructure stress and debate over a major renovation plan, the Louvre is navigating intensifying pressure over how it balances long-term ambition with day-to-day operations.
The art market has reorganized around exposure avoidance—reshaping liquidity, framing, pacing, and decision-making without altering surface stability.
Helene Schjerfbeck’s first major U.S. exhibition at The Met is less a rediscovery than a recalibration—revealing how restraint, persistence, and silence have long been misread in modern art’s dominant narratives.
The 12th edition of ESTE ARTE formalizes a counter-tempo fair format—solo presentations, first-time works, and distributed context—examining whether intimacy can function as repeatable market infrastructure rather than ethos.
Field Notes
London Art Fair 2026 positions itself less as a discovery engine than as a stabilizing mechanism—synchronizing legacy confidence, institutional authority, and controlled novelty at the start of a year marked by mid-market contraction and calendar congestion in London’s art ecosystem.
Structures & Conditions
A critical examination of creativity as emotional labor—how persistence, self-regulation, and endurance quietly function as selection mechanisms within the contemporary art world.
Trends & Attention
As restraint and white space shape contemporary art discourse, a parallel movement centered on melancholy, emotional density, and presence is gaining attention.
Field Notes
How ART SG 2026 consolidates regional visibility, curatorial governance, and market coordination—marking a shift from platform-building to structural alignment within Southeast Asia’s art ecosystem.
Gallery Compass
Smaller galleries are shifting to fewer exhibitions, longer runs, and structured openings as dense calendar clusters and travel cycles limit visibility. Extended pacing is becoming essential for sustaining institutional and press engagement in 2026.
Structures & Conditions
How ADHD exposes a contradiction at the heart of the art world — where non-linear attention is valued, but care and support remain absent.
Field Notes
An examination of how Art Basel Qatar operationalizes “Becoming” as an institutional interface—aligning curatorial ambition, public programming, and development partnerships at anchor-fair scale.
Art Market Watch
Borrowing against art was once discreet and reactive. Today, collectors are drawing on loans earlier than expected—revealing a quieter shift in how art, liquidity, and control intersect.
Field Notes
The British Museum’s long-term loans to Mumbai signal a new soft-power approach to restitution pressures, reframing ownership disputes through time-bound circulation and curatorial partnership.
Gallery Compass
Galleries across major art cities are competing for early institutional walkthrough slots as curators book months ahead to avoid cluster weekends and travel congestion. Early scheduling is becoming a decisive factor for 2026 exhibition outcomes.
Art & Tech
How computational systems now mediate visibility, valuation, and authorship in digital art—and why institutions can no longer defer decisions about where automation must stop.
Law & Politics
An independent analysis of the Hodge review of Arts Council England, examining trust, bureaucracy, funding reform, touring, and the arm’s-length principle.