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The destruction of The Market Gallery in South Shields—founded by Laura Robertson and Theodore Godfrey-Cass—underscores a growing global crisis facing art spaces.
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Hauser & Wirth collaborates with Berlin gallery Société for States of Being, a Berlin Art Week 2025 highlight featuring Louise Bourgeois, Rashid Johnson, and Petra Cortright in a powerful dialogue on identity and agency.
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Despite the 2022 closure of the San Francisco Art Institute, archivists Becky Alexander and Jeff Gunderson are preserving its 150-year legacy while a new SFMOMA exhibit and Laurene Powell Jobs’ CASA project promise a creative revival.
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Charles and Ray Eames’s Case Study House #8 endures Pacific Palisades fires, reopening after restoration with first-ever accessible creative studio.
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Cincinnati Art Museum receives a $5 million gift from collector Mary W. Baskett to launch its first dedicated fashion gallery, showcasing renowned Japanese designers like Issey Miyake and Rei Kawakubo, and expanding its textile arts program.
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Renowned art detective Arthur Brand recovers stolen Dutch East India Company archives, including 17th-century ship logs and the corporation’s founding manuscript, restoring invaluable global history.
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Facing overcrowding and staff strikes, Paris’s Louvre Museum initiates a $316 million architectural competition to build new entrances and underground galleries, with a dedicated space for the Mona Lisa.
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Victoria and Albert Museum in London faces criticism and a boycott petition after accusations of racial profiling schoolchildren from Bristol.
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Facing a $20 million shortfall, Albright College in Pennsylvania will auction more than 500 artworks by prominent artists including Bridget Riley and Jacob Lawrence.
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Hamilton’s Art Gallery of Hamilton offers free admission during July and August under the “Hamilton Strong” initiative, funded by a private donor.
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Hauser & Wirth owners Iwan and Manuela Wirth’s discreet move to Switzerland is not a tax flight but highlights ongoing tensions around wealth, taxation, and national loyalty in the UK art world.
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Flash Grenades series of anonymous opinion blasts from inside the art world. Real voices. No names. No filters. These views are their own.
