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Maria Balshaw to Step Down as Tate Director After Nine-Year Reshape

Tate signals a controlled handover. Maria Balshaw will step down in 2026 with funding secured, projects underway, and leadership transition already shaped.

Portrait of Maria Balshaw, Director of Tate, photographed during her tenure leading the institution.
Maria Balshaw, who has served as Director of Tate since 2017, will step down in spring 2026 following nine years of institutional expansion and major capital commitments. Photo by Erdem Moralioglu, courtesy of Tate

Maria Balshaw will step down as Director of Tate in spring 2026, ending nine years that reshaped the institution’s structure, reach, and operating weight.

“It has been an absolute privilege to serve as Director of Tate over this last decade,” Balshaw said. Her statement frames the move as a transfer of responsibility, anchored to a forward plan already in place.

The timing is controlled.

Balshaw departs after capital is secured and delivery is underway. The Clore Garden at Tate Britain opens in 2026. Tate Liverpool’s transformation is set for 2027. Tate St Ives has begun the renovation of Barbara Hepworth’s Palais de Danse. An endowment exceeding £50 million has been raised and publicly launched.

This is not an exit during instability. It is a handover after commitment.

Roland Rudd, Tate’s Chair, reinforced the institutional position. “More people deserve to experience the full richness of art, and more artists deserve to be part of that story,” he said, aligning Tate’s identity with access, scale, and public reach.

Balshaw’s tenure expanded Tate on multiple fronts at once. Membership reached 150,000. Another 180,000 young people were brought into Tate Collective. The collection strategy shifted toward gender balance, Global South artists, and practices long underrepresented in national museums. International partnerships deepened, extending Tate’s presence beyond its own buildings.

Her final project returns her to artists. In February 2026, she will curate a career-spanning exhibition of Tracey Emin at Tate Modern, closing her directorship with curatorial authority rather than administration.

The next phase will test durability. Leadership change exposes whether expansion is embedded or personality-driven. Tate now carries greater scale, broader obligations, and heavier infrastructure than it did in 2017.

Balshaw leaves an institution built for continuity. What follows will show how much of that structure holds.

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